Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra

Bernstein: The 1953 American Decca Recordings

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01/01/2004
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The tracks on this album

1.
Symphony No.3 In E Flat, Op.55 -"Eroica": 1. Allegro con brio
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
2.
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
3.
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
4.
Symphony No.3 In E Flat, Op.55 -"Eroica": 2. Marcia funebre (Adagio assai)
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
5.
Symphony No.3 In E Flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace)
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
6.
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
7.
Symphony No.3 In E Flat, Op.55 -"Eroica": 4. Finale (Allegro molto)
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
8.
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
9.
Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): I. "Simplicity Itself..." (1st Movt.)
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
10.
Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "I Always Feel This Gigantism" (2nd Movt.)
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
11.
Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): III. "We Have Just Been Examining..." (3rd Movt.)
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
12.
Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): IV. "All That We Have Said" (4th Movt.)
Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
13.
Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "The Study Of The Eroica Is A Lifetime Work,..."
Ludwig van Beethoven, Leonard Bernstein, New York Stadium Symphony Orchestra
14.
Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
15.
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo
Leonard Bernstein, Antonín Dvořák, New York Philharmonic, New York Stadium Symphony Orchestra
16.
Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 2. Largo
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
17.
Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 3. Scherzo (Molto vivace)
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
18.
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco
Leonard Bernstein, Antonín Dvořák, New York Philharmonic, New York Stadium Symphony Orchestra
19.
Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 4. Allegro con fuoco
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
20.
Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
Leonard Bernstein, Antonín Dvořák, New York Philharmonic, New York Stadium Symphony Orchestra
21.
Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)
Leonard Bernstein, Antonín Dvořák, New York Philharmonic, New York Stadium Symphony Orchestra
22.
Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
23.
Musical Analysis: Bernstein On Dvorák, Symphony No.9, op.95, "From The New World", B.178: 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Movt.)
Leonard Bernstein, Antonín Dvořák, New York Stadium Symphony Orchestra
24.
Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)
Leonard Bernstein, Antonín Dvořák, New York Philharmonic, New York Stadium Symphony Orchestra
25.
Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai – Allegro ma non troppo
Robert Schumann, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
26.
Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
Robert Schumann, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
27.
Symphony No.2 In C, Op.61: 2. Scherzo (Allegro vivace)
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
28.
Symphony No.2 In C, Op.61: 3. Adagio espresssivo
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
29.
Symphony No.2 In C, Op.61: 4. Allegro molto vivace
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
30.
Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
Robert Schumann, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
31.
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
Robert Schumann, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
32.
Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 2. "To My Mind Schumann Follows In This Tradition"
Leonard Bernstein, New York Stadium Symphony Orchestra
33.
Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 3. "Now Let´s Look At The Symphony Itself" (1st Movement)
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
34.
Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 4. "And So We Have Arrived At The Allegro Section..." (1st Movt. Cont.)
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
35.
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
Robert Schumann, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
36.
Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 6. "But Perhaps The Greatest Beauty..." (3rd Movt.)
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
37.
Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 7. "Even In The Final Movement" (4th Movt.)
Robert Schumann, Leonard Bernstein, New York Stadium Symphony Orchestra
38.
Symphony No.4 In E Minor, Op.98: 1. Allegro non troppo
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
39.
Symphony No.4 In E Minor, Op.98: 2. Andante moderato
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
40.
Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
41.
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato
Johannes Brahms, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
42.
Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme)
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
43.
Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: II. "Our Journey Begins Without Introduction..."
Johannes Brahms, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
44.
Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 3. "Do You See Now What A Symphonic Theme Is?"
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
45.
Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music"
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
46.
Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: V. "Here Is That 2nd Theme"
Johannes Brahms, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
47.
Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VI. "This Brings Us to the Development Section Proper"
Johannes Brahms, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
48.
Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..."
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
49.
Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VIII. "So We Arrive at the Coda"
Johannes Brahms, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
50.
Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 9. "Well, We Have Had A Microscopic Look At Symphonic Method"
Johannes Brahms, Leonard Bernstein, New York Stadium Symphony Orchestra
51.
Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
52.
Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Stadium Symphony Orchestra
53.
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
54.
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
55.
Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Stadium Symphony Orchestra
56.
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
57.
Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
58.
Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 2. "Now The Development Section Erupts..." (1st Movt. Cont.)
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
59.
Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales" (2nd Movt)
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Stadium Symphony Orchestra
60.
Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping Now To The Famous Third Movement, The Great March..." (3rd Movt.)
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Stadium Symphony Orchestra
61.
Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic, New York Stadium Symphony Orchestra
62.
Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 6. "Now I Don´t Want To Give You The Impression That Scales Are The Only Unifying Force In This Work"
Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Stadium Symphony Orchestra

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52

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album

01/01/2004

Symphony No.3 In E Flat, Op.55 -"Eroica": 1. Allegro con brio

Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio

Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai

Symphony No.3 In E Flat, Op.55 -"Eroica": 2. Marcia funebre (Adagio assai)

Symphony No.3 In E Flat, Op.55 -"Eroica": 3. Scherzo (Allegro vivace)

Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace

Symphony No.3 In E Flat, Op.55 -"Eroica": 4. Finale (Allegro molto)

Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto

Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): I. "Simplicity Itself..." (1st Movt.)

Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "I Always Feel This Gigantism" (2nd Movt.)

Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): III. "We Have Just Been Examining..." (3rd Movt.)

Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): IV. "All That We Have Said" (4th Movt.)

Musical Analysis (Bernstein On Beethoven´s Symphony No.3, Op.55, "Eroica"): "The Study Of The Eroica Is A Lifetime Work,..."

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto

Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 2. Largo

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 3. Scherzo (Molto vivace)

Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco

Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 4. Allegro con fuoco

Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)

Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)

Musical Analysis: Bernstein On Dvorák, Symphony No.9, Op.95, "From The New World", B.178: 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.)

Musical Analysis: Bernstein On Dvorák, Symphony No.9, op.95, "From The New World", B.178: 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Movt.)

Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)

Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai – Allegro ma non troppo

Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace

Symphony No.2 In C, Op.61: 2. Scherzo (Allegro vivace)

Symphony No.2 In C, Op.61: 3. Adagio espresssivo

Symphony No.2 In C, Op.61: 4. Allegro molto vivace

Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 2. "To My Mind Schumann Follows In This Tradition"

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 3. "Now Let´s Look At The Symphony Itself" (1st Movement)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 4. "And So We Have Arrived At The Allegro Section..." (1st Movt. Cont.)

Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: V. "In The Marvellous Scherzo That Follows..." (2nd Movement)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 6. "But Perhaps The Greatest Beauty..." (3rd Movt.)

Musical Analysis: Bernstein On Schumann, Symphony No.2, Op.61: 7. "Even In The Final Movement" (4th Movt.)

Symphony No.4 In E Minor, Op.98: 1. Allegro non troppo

Symphony No.4 In E Minor, Op.98: 2. Andante moderato

Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso

Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato

Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme)

Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: II. "Our Journey Begins Without Introduction..."

Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 3. "Do You See Now What A Symphonic Theme Is?"

Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music"

Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: V. "Here Is That 2nd Theme"

Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VI. "This Brings Us to the Development Section Proper"

Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..."

Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VIII. "So We Arrive at the Coda"

Musical Analysis: Bernstein On Brahms, Symphony No.4, Op.98, First Movement: 9. "Well, We Have Had A Microscopic Look At Symphonic Method"

Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo

Symphony No. 6 In B Minor, Op. 74, TH.30: 2. Allegro con grazia

Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia

Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace

Symphony No. 6 In B Minor, Op. 74, TH.30: 3. Allegro molto vivace

Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso

Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)

Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 2. "Now The Development Section Erupts..." (1st Movt. Cont.)

Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited The Device Of Scales" (2nd Movt)

Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 4. "Jumping Now To The Famous Third Movement, The Great March..." (3rd Movt.)

Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)

Musical Analysis: Bernstein on Tchaikovsky, Symphony No.6, op.74, "Pathetique": 6. "Now I Don´t Want To Give You The Impression That Scales Are The Only Unifying Force In This Work"