Bartók

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87
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01/01/2009
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The tracks on this album

1.
4 Orchestral Pieces, Sz. 51: I. Preludio
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
2.
4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
3.
4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
4.
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
5.
Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
6.
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
7.
Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
8.
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
9.
Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
10.
Dance Suite, Sz. 77: I. Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
11.
Dance Suite, Sz. 77: II. Allegro molto
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
12.
Dance Suite, Sz. 77: III. Allegro vivace
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
13.
Dance Suite, Sz. 77: IV. Molto tranquillo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
14.
Dance Suite, Sz. 77: V. Comodo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
15.
Dance Suite, Sz. 77: VI. Finale. Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
16.
2 Pictures, Sz. 46: I. In Full Flower
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
17.
2 Pictures, Sz. 46: II. Village Dance
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
18.
Hungarian Sketches, Sz. 97: I. Evening in Transylvania
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
19.
Hungarian Sketches, Sz. 97: II. Bear Melody
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
20.
Hungarian Sketches, Sz. 97: III. Melody
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
21.
Hungarian Sketches, Sz. 97: IV. Slightly Tipsy
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
22.
Hungarian Sketches, Sz. 97: V. Swineherd's Dance
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
23.
Divertimento for Strings, Sz. 113: I. Allegro non troppo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
24.
Divertimento for Strings, Sz. 113: II. Molto adagio
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
25.
Divertimento for Strings, Sz. 113: III. Allegro assai
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
26.
Piano Concerto No. 1, Sz. 83: I. Allegro moderato – Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Krystian Zimerman
27.
Piano Concerto No. 1, Sz. 83: II. Andante
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Krystian Zimerman
28.
Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto - Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Krystian Zimerman
29.
Piano Concerto No. 2, Sz. 95: I. Allegro
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Leif Ove Andsnes
30.
Piano Concerto No. 2, BB 101, Sz. 95: II. Adagio - Più adagio - Presto
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Leif Ove Andsnes
31.
Piano Concerto No. 2, BB 101, Sz. 95: III. Allegro molto
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Leif Ove Andsnes
32.
Piano Concerto No. 3, Sz. 119: I. Allegretto
London Philharmonic Orchestra, Béla Bartók, Hélène Grimaud, Pierre Boulez
33.
Piano Concerto No. 3, Sz. 119: II. Adagio religioso
London Philharmonic Orchestra, Béla Bartók, Hélène Grimaud, Pierre Boulez
34.
Piano Concerto No. 3, Sz. 119: III. Allegro vivace
London Philharmonic Orchestra, Béla Bartók, Hélène Grimaud, Pierre Boulez
35.
Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto
London Philharmonic Orchestra, Pierre-Laurent Aimard, Béla Bartók, Pierre Boulez, Tamara Stefanovich, Neil Percy, Nigel Thomas
36.
Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo
London Philharmonic Orchestra, Pierre-Laurent Aimard, Béla Bartók, Pierre Boulez, Tamara Stefanovich, Neil Percy, Nigel Thomas
37.
Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115): III. Allegro ma non troppo
London Philharmonic Orchestra, Pierre-Laurent Aimard, Béla Bartók, Pierre Boulez, Tamara Stefanovich, Neil Percy, Nigel Thomas
38.
Violin Concerto No. 1, Sz. 36: I. Andante sostenuto
Béla Bartók, Berliner Philharmoniker, Gidon Kremer, Pierre Boulez
39.
Violin Concerto No. 1, Sz. 36: II. Allegro giocoso
Béla Bartók, Berliner Philharmoniker, Gidon Kremer, Pierre Boulez
40.
Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
41.
Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
42.
Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace
Béla Bartók, Berliner Philharmoniker, Pierre Boulez, Yuri Bashmet
43.
Violin Concerto No. 2, Sz.112: I. Allegro non troppo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
44.
Violin Concerto No. 2, Sz.112: II. Andante tranquillo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
45.
Violin Concerto No. 2, Sz.112: III. Allegro molto
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
46.
Rhapsody No. 1 For Violin And Orchestra, Sz. 87: I. Lassú: Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
47.
Rhapsody No. 1 For Violin And Orchestra, Sz. 87: II. Friss: Allegretto moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
48.
Rhapsody No. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
49.
Rhapsody No. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Gil Shaham
50.
Bluebeard's Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
51.
Bluebeard's Castle, Sz. 48 (Op. 11): "Ez a Kékszakállú véra?"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
52.
Bluebeard's Castle, Sz. 48 (Op. 11): "Nagy csukott ajtókat"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
53.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
54.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
55.
Bluebeard's Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs!
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
56.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
57.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
58.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 6. "Csendes fehér tavat látok"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
59.
Bluebeard's Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
60.
Bluebeard's Castle, Sz. 48 (Op. 11): "Tudom, tudom, Kékszakállú"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
61.
Bluebeard's Castle, Sz. 48 (Op. 11): Door 7. "Lásd a régi aszszonyokat"
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Jessye Norman, László Polgár
62.
Cantata profana, Sz. 94: I. Molto moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus
63.
Cantata profana, Sz. 94: II. Andante
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, John Tomlinson, Chicago Symphony Chorus, John Aler
64.
Cantata profana, Sz. 94: III. Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, John Aler
65.
The Wooden Prince, Sz. 60: Introduction
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
66.
The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
67.
The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
68.
The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
69.
The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
70.
The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
71.
The Wooden Prince, Sz. 60 (Op. 13): 6th Dance: She Tries to Attract the Real Prince with Her Seductive Dancing
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
72.
The Wooden Prince, Sz. 60: 7th Dance. Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
73.
The Miraculous Mandarin, Sz. 73: Introduction. Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
74.
The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
75.
The Miraculous Mandarin, Sz. 73: 2nd Decoy Game
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
76.
The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
77.
The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
78.
The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
79.
The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
80.
The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears. Adagio
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
81.
The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
82.
The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe
83.
The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
84.
Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
85.
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
86.
Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez
87.
Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto
Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez

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87

0.7

compilation

01/01/2009

4 Orchestral Pieces, Sz. 51: I. Preludio

4 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro

4 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato

4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso

Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace

Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando

Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo

Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto)

Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto

Dance Suite, Sz. 77: I. Moderato

Dance Suite, Sz. 77: II. Allegro molto

Dance Suite, Sz. 77: III. Allegro vivace

Dance Suite, Sz. 77: IV. Molto tranquillo

Dance Suite, Sz. 77: V. Comodo

Dance Suite, Sz. 77: VI. Finale. Allegro

2 Pictures, Sz. 46: I. In Full Flower

2 Pictures, Sz. 46: II. Village Dance

Hungarian Sketches, Sz. 97: I. Evening in Transylvania

Hungarian Sketches, Sz. 97: II. Bear Melody

Hungarian Sketches, Sz. 97: III. Melody

Hungarian Sketches, Sz. 97: IV. Slightly Tipsy

Hungarian Sketches, Sz. 97: V. Swineherd's Dance

Divertimento for Strings, Sz. 113: I. Allegro non troppo

Divertimento for Strings, Sz. 113: II. Molto adagio

Divertimento for Strings, Sz. 113: III. Allegro assai

Piano Concerto No. 1, Sz. 83: I. Allegro moderato – Allegro

Piano Concerto No. 1, Sz. 83: II. Andante

Piano Concerto No. 1, BB 91, Sz. 83: III. Allegro molto - Allegro

Piano Concerto No. 2, Sz. 95: I. Allegro

Piano Concerto No. 2, BB 101, Sz. 95: II. Adagio - Più adagio - Presto

Piano Concerto No. 2, BB 101, Sz. 95: III. Allegro molto

Piano Concerto No. 3, Sz. 119: I. Allegretto

Piano Concerto No. 3, Sz. 119: II. Adagio religioso

Piano Concerto No. 3, Sz. 119: III. Allegro vivace

Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto

Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo

Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115): III. Allegro ma non troppo

Violin Concerto No. 1, Sz. 36: I. Andante sostenuto

Violin Concerto No. 1, Sz. 36: II. Allegro giocoso

Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando

Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto

Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace

Violin Concerto No. 2, Sz.112: I. Allegro non troppo

Violin Concerto No. 2, Sz.112: II. Andante tranquillo

Violin Concerto No. 2, Sz.112: III. Allegro molto

Rhapsody No. 1 For Violin And Orchestra, Sz. 87: I. Lassú: Moderato

Rhapsody No. 1 For Violin And Orchestra, Sz. 87: II. Friss: Allegretto moderato

Rhapsody No. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato

Rhapsody No. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato

Bluebeard's Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk

Bluebeard's Castle, Sz. 48 (Op. 11): "Ez a Kékszakállú véra?"

Bluebeard's Castle, Sz. 48 (Op. 11): "Nagy csukott ajtókat"

Bluebeard's Castle, Sz. 48 (Op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések"

Bluebeard's Castle, Sz. 48 (Op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver"

Bluebeard's Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs!

Bluebeard's Castle, Sz. 48 (Op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!"

Bluebeard's Castle, Sz. 48 (Op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram"

Bluebeard's Castle, Sz. 48 (Op. 11): Door 6. "Csendes fehér tavat látok"

Bluebeard's Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki

Bluebeard's Castle, Sz. 48 (Op. 11): "Tudom, tudom, Kékszakállú"

Bluebeard's Castle, Sz. 48 (Op. 11): Door 7. "Lásd a régi aszszonyokat"

Cantata profana, Sz. 94: I. Molto moderato

Cantata profana, Sz. 94: II. Andante

Cantata profana, Sz. 94: III. Moderato

The Wooden Prince, Sz. 60: Introduction

The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest

The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees

The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves

The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll

The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance

The Wooden Prince, Sz. 60 (Op. 13): 6th Dance: She Tries to Attract the Real Prince with Her Seductive Dancing