Argerich A-Z: Beethoven – Chopin (Complete Recordings on Deutsche Grammophon)

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06/03/2026
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The tracks on this album

1.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Theme. Andante
Mischa Maisky, Martha Argerich
2.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 1
Mischa Maisky, Martha Argerich
3.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 2
Mischa Maisky, Martha Argerich
4.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 3
Mischa Maisky, Martha Argerich
5.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 4
Mischa Maisky, Martha Argerich
6.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 5. Si prenda il tempo un poco più vivace
Mischa Maisky, Martha Argerich
7.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 6. Adagio
Mischa Maisky, Martha Argerich
8.
7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 7. Allegro, ma non troppo – Coda
Mischa Maisky, Martha Argerich
9.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Theme. Allegretto
Mischa Maisky, Martha Argerich
10.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 1
Mischa Maisky, Martha Argerich
11.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 2
Mischa Maisky, Martha Argerich
12.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 3
Mischa Maisky, Martha Argerich
13.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 4
Mischa Maisky, Martha Argerich
14.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 5
Mischa Maisky, Martha Argerich
15.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 6
Mischa Maisky, Martha Argerich
16.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 7
Mischa Maisky, Martha Argerich
17.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 8
Mischa Maisky, Martha Argerich
18.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 9
Mischa Maisky, Martha Argerich
19.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 10. Adagio
Mischa Maisky, Martha Argerich
20.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 11. Poco adagio, quasi andante
Mischa Maisky, Martha Argerich
21.
12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 12. Allegro
Mischa Maisky, Martha Argerich
22.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Theme. Allegretto
Mischa Maisky, Martha Argerich
23.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 1
Mischa Maisky, Martha Argerich
24.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 2
Mischa Maisky, Martha Argerich
25.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 3
Mischa Maisky, Martha Argerich
26.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 4
Mischa Maisky, Martha Argerich
27.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 5
Mischa Maisky, Martha Argerich
28.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 6
Mischa Maisky, Martha Argerich
29.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 7
Mischa Maisky, Martha Argerich
30.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 8
Mischa Maisky, Martha Argerich
31.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 9
Mischa Maisky, Martha Argerich
32.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 10. Allegro
Mischa Maisky, Martha Argerich
33.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 11. Adagio
Mischa Maisky, Martha Argerich
34.
12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 12. Allegro
Mischa Maisky, Martha Argerich
35.
Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": I. Allegro vivace e con brio (Live at Verbier Festival, Switzerland, 2007)
Mischa Maisky, Julian Rachlin, Martha Argerich
36.
Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": II. Largo assai ed espressivo (Live at Verbier Festival, Switzerland, 2007)
Mischa Maisky, Julian Rachlin, Martha Argerich
37.
Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": III. Presto (Live at Verbier Festival, Switzerland, 2007)
Mischa Maisky, Julian Rachlin, Martha Argerich
38.
Liebeslieder Waltzes, Op. 52: No. 1, Rede, Mädchen, allzu liebes (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
39.
Liebeslieder Waltzes, Op. 52: No. 2, Am Gesteine rauscht die Flut (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
40.
Liebeslieder Waltzes, Op. 52: No. 3, O die Frauen, o die Frauen (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
41.
Liebeslieder Waltzes, Op. 52: No. 4, Wie des Abends schöne Röte (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
42.
Liebeslieder Waltzes, Op. 52: No. 5, Die grüne Hopfenranke (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
43.
Liebeslieder Waltzes, Op. 52: No. 6, Ein kleiner, hübscher Vogel nahm den Flug (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
44.
Liebeslieder Waltzes, Op. 52: No. 7, Wohl schön bewandt war es vorehe (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
45.
Liebeslieder Waltzes, Op. 52: No. 8, Wenn so lind dein Auge mir (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
46.
Liebeslieder Waltzes, Op. 52: No. 9, Am Donaustrande, da steht ein Haus (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
47.
Liebeslieder Waltzes, Op. 52: No. 10, O wie sanft die Quelle sich (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
48.
Liebeslieder Waltzes, Op. 52: No. 11, Nein, es ist nicht auszukommen (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
49.
Liebeslieder Waltzes, Op. 52: No. 12, Schlosser auf! und mache Schlösser (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
50.
Liebeslieder Waltzes, Op. 52: No. 13, Vögelein durchrauscht die Luft (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
51.
Liebeslieder Waltzes, Op. 52: No. 14, Sieh, wie ist die Welle klar (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
52.
Liebeslieder Waltzes, Op. 52: No. 15, Nachtigall, sie singt so schön (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
53.
Liebeslieder Waltzes, Op. 52: No. 16, Ein dunkler Schacht ist Liebe (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
54.
Liebeslieder Waltzes, Op. 52: No. 17, Nicht wandle, mein Licht, dort aussen (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
55.
Liebeslieder Waltzes, Op. 52: No. 18, Es bebet das Gesträuche (Live at Auditorio Stelio Molo, Lugano, 2005)
Martha Argerich, Diego Fasolis, Gabriela Montero, Coro della Radiotelevisione della Svizzera Italiana
56.
Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro
Mischa Maisky, Martha Argerich, Gidon Kremer, Yuri Bashmet
57.
Piano Quartet No. 1 in G Minor, Op. 25: II. Intermezzo. Allegro ma non troppo
Mischa Maisky, Martha Argerich, Gidon Kremer, Yuri Bashmet
58.
Piano Quartet No. 1 in G Minor, Op. 25: III. Andante con moto
Mischa Maisky, Martha Argerich, Gidon Kremer, Yuri Bashmet
59.
Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese
Mischa Maisky, Martha Argerich, Gidon Kremer, Yuri Bashmet
60.
2 Rhapsodies, Op. 79: No. 1 in B Minor. Agitato
Martha Argerich
61.
2 Rhapsodies, Op. 79: No. 2 in G Minor. Molto passionato, ma non troppo allegro
Martha Argerich
62.
Variations on a Theme by Haydn, Op. 56a: Theme. Chorale St Antoni (Live)
Nelson Freire, Martha Argerich
63.
Variations on a Theme by Haydn, Op. 56a: Var. 1. Poco più animato (Live)
Nelson Freire, Martha Argerich
64.
Variations on a Theme by Haydn, Op. 56a: Var. 2. Più vivace (Live)
Nelson Freire, Martha Argerich
65.
Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto (Live)
Nelson Freire, Martha Argerich
66.
Variations on a Theme by Haydn, Op. 56a: Var. 4. Andante con moto (Live)
Nelson Freire, Martha Argerich
67.
Variations on a Theme by Haydn, Op. 56a: Var. 5. Vivace (Live)
Nelson Freire, Martha Argerich
68.
Variations on a Theme by Haydn, Op. 56a: Var. 6. Vivace (Live)
Nelson Freire, Martha Argerich
69.
Variations on a Theme by Haydn, Op. 56a: Var. 7. Grazioso (Live)
Nelson Freire, Martha Argerich
70.
Variations on a Theme by Haydn, Op. 56a: Var. 8. Presto non troppo (Live)
Nelson Freire, Martha Argerich
71.
Variations on a Theme by Haydn, Op. 56a: Finale. Andante (Live)
Nelson Freire, Martha Argerich
72.
Souvenir de la Russie, Anh. 4/6: No. 3, Romance de Warlamoff (Live)
Martha Argerich, Evgeny Kissin
73.
Andante spianato et Grande Polonaise brillante in E-Flat Major, Op. 22
Martha Argerich
74.
Barcarolle in F-Sharp Major, Op. 60
Martha Argerich
75.
Ballade No. 1 in G Minor, Op. 23
Martha Argerich
76.
12 Etudes, Op. 10: No. 4 in C-Sharp Minor "Torrent"
Martha Argerich
77.
Mazurka No. 26 in C-Sharp Minor, Op. 41 No. 1. Maestoso
Martha Argerich
78.
Mazurka No. 27 in E Minor, Op. 41 No. 2. Andantino
Martha Argerich
79.
Mazurka No. 15 in C Major, Op. 24 No. 2. Allegro non troppo
Martha Argerich
80.
Mazurka No. 40 in F Minor, Op. 63 No. 2. Lento
Martha Argerich
81.
Mazurka No. 23 in D Major, Op. 33 No. 2. Vivace
Martha Argerich
82.
Nocturne No. 4 in F Major, Op. 15 No. 1
Martha Argerich
83.
Nocturne No. 16 in E-Flat Major, Op. 55 No. 2
Martha Argerich
84.
Mazurka No. 36 in A Minor, Op. 59 No. 1. Moderato
Martha Argerich
85.
Mazurka No. 37 in A-Flat Major, Op. 59 No. 2. Allegretto
Martha Argerich
86.
Mazurka No. 38 in F-Sharp Minor, Op. 59 No. 3. Vivace
Martha Argerich
87.
Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso (Live at Hochschule für Musik, Berlin, 1967)
Martha Argerich
88.
Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace (Live at Hochschule für Musik, Berlin, 1967)
Martha Argerich
89.
Piano Sonata No. 3 in B Minor, Op. 58: III. Largo (Live at Hochschule für Musik, Berlin, 1967)
Martha Argerich
90.
Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto (Live at Hochschule für Musik, Berlin, 1967)
Martha Argerich
91.
Introduction & Polonaise brillante, Op. 3: I. Lento – II. Alla Polacca. Allegro con spirito
Martha Argerich, Mstislav Rostropovich
92.
Introduction & Polonaise brillante in C Major, Op. 3: I. Introduction - Lento (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich
93.
Introduction & Polonaise brillante in C Major, Op. 3: II. Alla Polacca. Allegro con spirito (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich
94.
Mazurka No. 36 in A Minor, Op. 59 No. 1. Moderato (Recorded 1967)
Martha Argerich
95.
Mazurka No. 38 in F-Sharp Minor, Op. 59 No. 3. Vivace (Recorded 1967)
Martha Argerich
96.
Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
London Philharmonic Orchestra, Martha Argerich, Claudio Abbado
97.
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto
London Philharmonic Orchestra, Martha Argerich, Claudio Abbado
98.
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto
London Philharmonic Orchestra, Martha Argerich, Claudio Abbado
99.
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace
London Philharmonic Orchestra, Martha Argerich, Claudio Abbado
100.
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
Martha Argerich, Mstislav Rostropovich, National Symphony Orchestra, Kennedy Center
101.
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
Martha Argerich, Mstislav Rostropovich, National Symphony Orchestra, Kennedy Center
102.
Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace
Martha Argerich, Mstislav Rostropovich, National Symphony Orchestra, Kennedy Center
103.
Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento
Martha Argerich
104.
Piano Sonata No. 2 in B-Flat Minor, Op. 35: II. Scherzo - Più lento - Tempo I
Martha Argerich
105.
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre
Martha Argerich
106.
Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale
Martha Argerich
107.
Piano Sonata No. 3 in B Minor, Op. 58: I. Allegro maestoso
Martha Argerich
108.
Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo. Molto vivace
Martha Argerich
109.
Piano Sonata No. 3 in B Minor, Op. 58: III. Largo
Martha Argerich
110.
Piano Sonata No. 3 in B Minor, Op. 58: IV. Finale. Presto non tanto
Martha Argerich
111.
24 Préludes, Op. 28: No. 1 in C Major
Martha Argerich
112.
24 Préludes, Op. 28: No. 2 in A Minor
Martha Argerich
113.
24 Préludes, Op. 28: No. 3 in G Major: Vivace
Martha Argerich
114.
24 Préludes, Op. 28: No. 4 in E Minor
Martha Argerich
115.
24 Préludes, Op. 28: No. 4 in E Minor
Martha Argerich
116.
24 Préludes, Op. 28: No. 5 in D Major
Martha Argerich
117.
24 Préludes, Op. 28: No. 6 in B Minor: Lento assai
Martha Argerich
118.
24 Préludes, Op. 28: No. 7 in A Major
Martha Argerich
119.
24 Préludes, Op. 28: No. 7 in A Major
Martha Argerich
120.
24 Préludes, Op. 28: No. 8 in F-Sharp Minor
Martha Argerich
121.
24 Préludes, Op. 28: No. 9 in E Major
Martha Argerich
122.
24 Préludes, Op. 28: No. 10 in C-Sharp Minor
Martha Argerich
123.
24 Préludes, Op. 28: No. 11 in B Major
Martha Argerich
124.
24 Préludes, Op. 28: No. 12. in G-Sharp Minor
Martha Argerich
125.
24 Préludes, Op. 28: No. 12. in G-Sharp Minor
Martha Argerich
126.
24 Préludes, Op. 28: No. 13 in F-Sharp Major
Martha Argerich
127.
24 Préludes, Op. 28: No. 14 in E-Flat Minor
Martha Argerich
128.
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop Prelude"
Martha Argerich
129.
24 Préludes, Op. 28: No. 16 in B-Flat Minor
Martha Argerich
130.
24 Préludes, Op. 28: No. 17 in A-Flat Major: Allegretto
Martha Argerich
131.
24 Préludes, Op. 28: No. 18 in F Minor
Martha Argerich
132.
24 Préludes, Op. 28: No. 19 in E-Flat Major
Martha Argerich
133.
24 Préludes, Op. 28: No. 19 in E-Flat Major
Martha Argerich
134.
24 Préludes, Op. 28: No. 20 in C Minor: Largo
Martha Argerich
135.
24 Préludes, Op. 28: No. 21 in B-Flat Major
Martha Argerich
136.
24 Préludes, Op. 28: No. 22 in G Minor
Martha Argerich
137.
24 Préludes, Op. 28: No. 23 in F Major
Martha Argerich
138.
24 Préludes, Op. 28: No. 23 in F Major
Martha Argerich
139.
24 Préludes, Op. 28: No. 24 in D Minor: Allegro appassionato
Martha Argerich
140.
Prélude in C-Sharp Minor, Op. 45
Martha Argerich
141.
Prélude in A-Flat Major, B. 86
Martha Argerich
142.
Polonaise-Fantaisie in A-Flat Major, Op. 61
Martha Argerich
143.
Polonaise in A-Flat Major, Op. 53 "Heroic": Maestoso
Martha Argerich
144.
Scherzo No. 2 in B-Flat Minor, Op. 31
Martha Argerich
145.
Scherzo No. 3 in C-Sharp Minor, Op. 39
Martha Argerich
146.
Cello Sonata in G Minor, Op. 65: I. Allegro moderato
Martha Argerich, Mstislav Rostropovich
147.
Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio
Martha Argerich, Mstislav Rostropovich
148.
Cello Sonata in G Minor, Op. 65: III. Largo
Martha Argerich, Mstislav Rostropovich
149.
Cello Sonata in G Minor, Op. 65: IV. Finale. Allegro
Martha Argerich, Mstislav Rostropovich
150.
Cello Sonata in G Minor, Op. 65: I. Allegro moderato (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich
151.
Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich
152.
Cello Sonata in G Minor, Op. 65: III. Largo (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich
153.
Cello Sonata in G Minor, Op. 65: IV. Finale. Allegro (Live at Concert Hall, Kyoto, 2000)
Mischa Maisky, Martha Argerich

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148

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album

06/03/2026

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Theme. Andante

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 1

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 2

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 3

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 4

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 5. Si prenda il tempo un poco più vivace

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 6. Adagio

7 Variations for Cello and Piano on "Bei Männern, welche Liebe fühlen", WoO 46: Var. 7. Allegro, ma non troppo – Coda

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Theme. Allegretto

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 1

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 2

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 3

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 4

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 5

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 6

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 7

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 8

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 9

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 10. Adagio

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 11. Poco adagio, quasi andante

12 Variations for Cello and Piano on "Ein Mädchen oder Weibchen", Op. 66: Var. 12. Allegro

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Theme. Allegretto

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 1

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 2

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 3

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 4

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 5

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 6

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 7

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 8

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 9

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 10. Allegro

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 11. Adagio

12 Variations for Cello and Piano on "See the Conquering Hero Comes", WoO 45: Var. 12. Allegro

Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": I. Allegro vivace e con brio (Live at Verbier Festival, Switzerland, 2007)

Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": II. Largo assai ed espressivo (Live at Verbier Festival, Switzerland, 2007)

Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio": III. Presto (Live at Verbier Festival, Switzerland, 2007)

Liebeslieder Waltzes, Op. 52: No. 1, Rede, Mädchen, allzu liebes (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 2, Am Gesteine rauscht die Flut (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 3, O die Frauen, o die Frauen (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 4, Wie des Abends schöne Röte (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 5, Die grüne Hopfenranke (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 6, Ein kleiner, hübscher Vogel nahm den Flug (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 7, Wohl schön bewandt war es vorehe (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 8, Wenn so lind dein Auge mir (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 9, Am Donaustrande, da steht ein Haus (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 10, O wie sanft die Quelle sich (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 11, Nein, es ist nicht auszukommen (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 12, Schlosser auf! und mache Schlösser (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 13, Vögelein durchrauscht die Luft (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 14, Sieh, wie ist die Welle klar (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 15, Nachtigall, sie singt so schön (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 16, Ein dunkler Schacht ist Liebe (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 17, Nicht wandle, mein Licht, dort aussen (Live at Auditorio Stelio Molo, Lugano, 2005)

Liebeslieder Waltzes, Op. 52: No. 18, Es bebet das Gesträuche (Live at Auditorio Stelio Molo, Lugano, 2005)

Piano Quartet No. 1 in G Minor, Op. 25: I. Allegro

Piano Quartet No. 1 in G Minor, Op. 25: II. Intermezzo. Allegro ma non troppo

Piano Quartet No. 1 in G Minor, Op. 25: III. Andante con moto

Piano Quartet No. 1 in G Minor, Op. 25: IV. Rondo alla Zingarese

2 Rhapsodies, Op. 79: No. 1 in B Minor. Agitato

2 Rhapsodies, Op. 79: No. 2 in G Minor. Molto passionato, ma non troppo allegro

Variations on a Theme by Haydn, Op. 56a: Theme. Chorale St Antoni (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 1. Poco più animato (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 2. Più vivace (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 3. Con moto (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 4. Andante con moto (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 5. Vivace (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 6. Vivace (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 7. Grazioso (Live)

Variations on a Theme by Haydn, Op. 56a: Var. 8. Presto non troppo (Live)

Variations on a Theme by Haydn, Op. 56a: Finale. Andante (Live)