Bach: Die großen Chorwerke

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307
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compilation
type of album
04/04/2011
release date

Album content

The tracks on this album

1.
Mass in B Minor, BWV 232: I. Kyrie, (a) Kyrie eleison (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
2.
Mass in B Minor, BWV 232: I. Kyrie, (b) Duet "Christe eleison" (Soprano 1, Soprano 2)
Bavarian Radio Symphony Orchestra, Helen Donath, Eugen Jochum, Brigitte Fassbaender
3.
Mass in B Minor, BWV 232: I. Kyrie, (c) Kyrie eleison (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
4.
Mass in B Minor, BWV 232: II. Gloria, (a) Gloria in excelsis Deo (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
5.
Mass in B Minor, BWV 232: II. Gloria, (b) Et in terra pax (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
6.
Mass in B Minor, BWV 232: II. Gloria, (c) Aria "Laudamus te" (Soprano 2)
Bavarian Radio Symphony Orchestra, Eugen Jochum
7.
Mass in B Minor, BWV 232: II. Gloria, (d) Gratias agimus tibi (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
8.
Mass in B Minor, BWV 232: II. Gloria, (e) Duet "Domine Deus" (Soprano 1, Tenor)
Bavarian Radio Symphony Orchestra, Helen Donath, Eugen Jochum, Claes Hakon Ahnsjö
9.
Mass in B Minor, BWV 232: II. Gloria, (f) Qui tollis peccata mundi (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
10.
Mass in B Minor, BWV 232: II. Gloria, (g) Aria "Qui sedes ad dexteram Patris" (Alto)
Bavarian Radio Symphony Orchestra, Eugen Jochum, Brigitte Fassbaender
11.
Mass in B Minor, BWV 232: II. Gloria, (h) Aria "Quoniam tu solus sanctus" (Bass)
Bavarian Radio Symphony Orchestra, Eugen Jochum
12.
Mass in B Minor, BWV 232: II. Gloria, (i) Cum sancto Spiritu (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
13.
Mass in B Minor, BWV 232: III. Credo, (a) Credo in unum Deum (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
14.
Mass in B Minor, BWV 232: III. Credo, (b) Patrem omnipotentem (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
15.
Mass in B Minor, BWV 232: III. Credo, (c) Duet "Et in unum Dominum" (Soprano 1, Alto)
Bavarian Radio Symphony Orchestra, Helen Donath, Eugen Jochum, Brigitte Fassbaender
16.
Mass in B Minor, BWV 232: III. Credo, (d) Et incarnatus est (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
17.
Mass in B Minor, BWV 232: III. Credo, (e) Crucifixus (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
18.
Mass in B Minor, BWV 232: III. Credo, (f) Et resurrexit (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
19.
Mass in B Minor, BWV 232: III. Credo, (g) Aria "Et in Spiritum Sanctum" (Bass)
Bavarian Radio Symphony Orchestra, Eugen Jochum
20.
Mass in B Minor, BWV 232: III. Credo, (h) Confiteor (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
21.
Mass in B Minor, BWV 232: III. Credo, (i) Et expecto resurrectionem mortuorum (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
22.
Mass in B Minor, BWV 232: IV. Sanctus, (a) Sanctus [Chorus]
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
23.
Mass in B Minor, BWV 232: IV. Sanctus, (b) Osanna in excelsis (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
24.
Mass in B Minor, BWV 232: IV. Sanctus, (c) Aria "Benedictus" (Tenor)
Bavarian Radio Symphony Orchestra, Eugen Jochum, Claes Hakon Ahnsjö
25.
Mass in B Minor, BWV 232: IV. Sanctus, (d) Osanna in excelsis (Chorus, da capo)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
26.
Mass in B Minor, BWV 232: V. Agnus Dei, (a) Aria "Agnus Dei" (Alto)
Bavarian Radio Symphony Orchestra, Eugen Jochum, Brigitte Fassbaender
27.
Mass in B Minor, BWV 232: V. Agnus Dei, (b) Dona nobis pacem (Chorus)
Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Eugen Jochum
28.
St. Matthew Passion, BWV 244, Pt. 1: No. 1, Chorus "Kommt, ihr Töchter, helft mir klagen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
29.
St. Matthew Passion, BWV 244, Pt. 1: No. 2, Recitative "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
30.
St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral "Herzliebster Jesu, was hast du verbrochen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
31.
St. Matthew Passion, BWV 244, Pt. 1: No. 4a, Recitative "Da versammleten sich die Hohenpriester" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
32.
St. Matthew Passion, BWV 244, Pt. 1: No. 4b, Chorus "Ja nicht auf das Fest" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
33.
St. Matthew Passion, BWV 244, Pt. 1: No. 4c, Recitative "Da nun Jesus war zu Bethanien" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
34.
St. Matthew Passion, BWV 244, Pt. 1: No. 4d, Chorus "Wozu dienet dieser Unrat?" (Chorus 1)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
35.
St. Matthew Passion, BWV 244, Pt. 1: No. 4e, Recitative "Da das Jesus merkete" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
36.
St. Matthew Passion, BWV 244, Pt. 1: No. 5, Recitative "Du lieber Heiland" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
37.
St. Matthew Passion, BWV 244, Pt. 1: No. 6, Aria "Buss und Reu" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
38.
St. Matthew Passion, BWV 244, Pt. 1: No. 7, Recitative "Da ging hin der Zwölfen" (Evangelist, Judas)
Consortium Musicum, Wolfgang Gönnenwein, Siegfried Haertel, Theo Altmeyer
39.
St. Matthew Passion, BWV 244, Pt. 1: No. 8, Aria "Blute nur, du liebes Herz!" (Soprano)
Consortium Musicum, Wolfgang Gönnenwein, Teresa Zylis-Gara
40.
St. Matthew Passion, BWV 244, Pt. 1: No. 9a, Recitative "Aber am ersten Tage der süssen Brot" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
41.
St. Matthew Passion, BWV 244, Pt. 1: No. 9b, Chorus "Wo willst du, dass wir dir bereiten" (Chorus 1)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
42.
St. Matthew Passion, BWV 244, Pt. 1: No. 9c, Recitative "Er sprach … Gehet hin in die Stadt" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
43.
St. Matthew Passion, BWV 244, Pt. 1: No. 9d, Recitative "Und sie wurden sehr betrübt" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
44.
St. Matthew Passion, BWV 244, Pt. 1: No. 9e, Chorus "Herr, bin ich's?" (Chorus 1)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
45.
St. Matthew Passion, BWV 244, Pt. 1: No. 10, Chorale "Ich bin's, ich sollte büssen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
46.
St. Matthew Passion, BWV 244, Pt. 1: No. 11, Recitative "Er antwortete und sprach" (Evangelist, Jesus, Judas)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Siegfried Haertel, Theo Altmeyer
47.
St. Matthew Passion, BWV 244, Pt. 1: No. 12, Recitative "Wiewohl mein Herz in Tränen schwimmt" (Soprano)
Consortium Musicum, Wolfgang Gönnenwein, Teresa Zylis-Gara
48.
St. Matthew Passion, BWV 244, Pt. 1: No. 13, Aria "Ich will dir mein Herze schenken" (Soprano)
Consortium Musicum, Wolfgang Gönnenwein, Teresa Zylis-Gara
49.
St. Matthew Passion, BWV 244, Pt. 1: No. 14, Recitative "Und da sie den Lobgesang" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
50.
St. Matthew Passion, BWV 244, Pt. 1: No. 15, Chorale "Erkenne mich, mein Hüter" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
51.
St. Matthew Passion, BWV 244, Pt. 1: No. 16, Recitative "Petrus aber antwortete und sprach zu ihm" (Evangelist, Petrus, Jesus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
52.
St. Matthew Passion, BWV 244, Pt. 1: No. 17, Chorale "Ich will hier bei dir stehen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
53.
St. Matthew Passion, BWV 244, Pt. 1: No. 18, Recitative "Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
54.
St. Matthew Passion, BWV 244, Pt. 1: No. 19, Recitative & Chorale"O Schmerz! Hier zittert … Was ist die Ursach aller solcher Plagen?" (Tenor, Chorus 2)
Nicolai Gedda, Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
55.
St. Matthew Passion, BWV 244, Pt. 1: No. 20, Aria "Ich will bei meinem Jesu wachen … So schlafen unsre Sünden ein" (Tenor, Chorus 2)
Nicolai Gedda, Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
56.
St. Matthew Passion, BWV 244, Pt. 1: No. 21, Recitative "Und ging hin ein wenig" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
57.
St. Matthew Passion, BWV 244, Pt. 1: No. 22, Recitative "Der Heiland fällt vor seinem Vater nieder" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
58.
St. Matthew Passion, BWV 244, Pt. 1: No. 23, Aria "Gerne will ich mich bequemen" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
59.
St. Matthew Passion, BWV 244, Pt. 1: No. 24, Recitative "Und er kam zu seinen Jüngern" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
60.
St. Matthew Passion, BWV 244, Pt. 1: No. 25, Chorale "Was mein Gott will, das gscheh allzeit" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
61.
St. Matthew Passion, BWV 244, Pt. 1: No. 26, Recitative "Und er kam und fand sie aber schlafend" (Evangelist, Jesus, Judas)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Siegfried Haertel, Theo Altmeyer
62.
St. Matthew Passion, BWV 244, Pt. 1: No. 27a, Duet "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari, Suddeutscher Madrigalchor, Teresa Zylis-Gara
63.
St. Matthew Passion, BWV 244, Pt. 1: No. 27b, Chorus "Sind Blitze, sind Donner in Wolken" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
64.
St. Matthew Passion, BWV 244, Pt. 1: No. 28, Recitative "Und siehe, einer aus denen" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
65.
St. Matthew Passion, BWV 244, Pt. 1: No. 29, Chorale "O Mensch, bewein dein Sünde gross" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
66.
St. Matthew Passion, BWV 244, Pt. 2: No. 30, Aria "Ach, nun ist mein Jesus hin! … Wo ist denn dein Freund" (Alto, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari, Suddeutscher Madrigalchor
67.
St. Matthew Passion, BWV 244, Pt. 2: No. 31, Recitative "Die aber Jesum gegriffen hatten" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
68.
St. Matthew Passion, BWV 244, Pt. 2: No. 32, Chorale "Mir hat die Welt trüglich gericht't" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
69.
St. Matthew Passion, BWV 244, Pt. 2: No. 33, Recitative "Und wiewohl viel falsche Zeugen herzutraten, funden sie doch keins" (Evangelist, Witnesses, High Priest)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer, Vera Scherr
70.
St. Matthew Passion, BWV 244, Pt. 2: No. 34, Recitative "Mein Jesus schweigt zu falschen Lügen" (Tenor)
Nicolai Gedda, Consortium Musicum, Wolfgang Gönnenwein
71.
St. Matthew Passion, BWV 244, Pt. 2: No. 35, Aria "Geduld, Geduld!" (Tenor)
Nicolai Gedda, Consortium Musicum, Wolfgang Gönnenwein
72.
St. Matthew Passion, BWV 244, Pt. 2: No. 36a, Recitative "Und der Hohenpriester antwortete" (Evangelist, High Priest, Jesus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
73.
St. Matthew Passion, BWV 244, Pt. 2: No. 36b, Chorus "Er ist des Todes schuldig!" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Susanne Dürr, Liselotte Renner, Suddeutscher Madrigalchor
74.
St. Matthew Passion, BWV 244, Pt. 2: No. 36c, Recitative "Da speieten sie in sein Angesicht" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
75.
St. Matthew Passion, BWV 244, Pt. 2: No. 36d, Chorus "Weissage uns, Christe" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
76.
St. Matthew Passion, BWV 244, Pt. 2: No. 37, Chorale "Wer hat dich so geschlagen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
77.
St. Matthew Passion, BWV 244, Pt. 2: No. 38a, Recitative "Petrus aber sass draussen im Palast" (Evangelist, Maid 1, Peter, Maid 2)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
78.
St. Matthew Passion, BWV 244, Pt. 2: No. 38b, Chorus "Wahrlich, du bist auch einer von denen" (Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
79.
St. Matthew Passion, BWV 244, Pt. 2: No. 38c, Recitative "Da hub er an sich zu verfluchen" (Evangelist, Petrus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
80.
St. Matthew Passion, BWV 244, Pt. 2: No. 39, Aria "Erbarme dich, mein Gott" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
81.
St. Matthew Passion, BWV 244, Pt. 2: No. 40, Chorale "Bin ich gleich von dir gewichen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
82.
St. Matthew Passion, BWV 244, Pt. 2: No. 41a, Recitative "Des Morgens aber hielten" (Evangelist, Judas)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Siegfried Haertel, Theo Altmeyer
83.
St. Matthew Passion, BWV 244, Pt. 2: No. 41b, Chorus "Was gehet uns das an? Da siehe du zu!" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
84.
St. Matthew Passion, BWV 244, Pt. 2: No. 41c, Recitative "Und er warf die Silberlinge" (Evangelist, High Priests)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
85.
St. Matthew Passion, BWV 244, Pt. 2: No. 42, Aria "Gebt mir meinen Jesum wieder!" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
86.
St. Matthew Passion, BWV 244, Pt. 2: No. 43, Recitative "Sie hielten aber einen Rat" (Evangelist, Pilatus, Jesus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
87.
St. Matthew Passion, BWV 244, Pt. 2: No. 44, Chorale "Befiehl du deine Wege" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Noor Leertouwer, Suddeutscher Madrigalchor
88.
St. Matthew Passion, BWV 244, Pt. 2: No. 45a, Recitative "Auf das Fest aber hatte der Landpfleger … Barrabam!" (Evangelist, Pilate, Pilate's Wife, Chorus 1, Chorus 2)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer, Suddeutscher Madrigalchor
89.
St. Matthew Passion, BWV 244, Pt. 2: No. 45b, Chorus "Lass ihn kreuzigen!" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
90.
St. Matthew Passion, BWV 244, Pt. 2: No. 46, Chorale "Wie wunderbarlich ist doch diese Strafe" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
91.
St. Matthew Passion, BWV 244, Pt. 2: No. 47, Recitative "Der Landpfleger sagte" (Evangelist, ilatus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
92.
St. Matthew Passion, BWV 244, Pt. 2: No. 48, Recitative "Er hat uns allen wohlgetan" (Soprano)
Consortium Musicum, Wolfgang Gönnenwein, Teresa Zylis-Gara
93.
St. Matthew Passion, BWV 244, Pt. 2: No. 49, Aria "Aus Liebe will mein Heiland sterben" (Soprano)
Consortium Musicum, Wolfgang Gönnenwein, Teresa Zylis-Gara
94.
St. Matthew Passion, BWV 244, Pt. 2: No. 50a, Recitative "Sie schrieen aber noch mehr und sprachen" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
95.
St. Matthew Passion, BWV 244, Pt. 2: No. 50b, Chorus "Lass ihn kreuzigen!" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
96.
St. Matthew Passion, BWV 244, Pt. 2: No. 50c, Recitative "Da aber Pilatus sahe" (Evangelist, Pilatus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
97.
St. Matthew Passion, BWV 244, Pt. 2: No. 50d, Chorus "Sein Blut komme über uns" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
98.
St. Matthew Passion, BWV 244, Pt. 2: No. 50e, Recitative "Da gab er ihnen Barrabam los" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
99.
St. Matthew Passion, BWV 244, Pt. 2: No. 51, Recitative "Erbarm es, Gott! Hier steht" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
100.
St. Matthew Passion, BWV 244, Pt. 2: No. 52, Aria "Können Tränen meiner Wangen" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
101.
St. Matthew Passion, BWV 244, Pt. 2: No. 53a, Recitative "Da nahmen die Kriegsknechte" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
102.
St. Matthew Passion, BWV 244, Pt. 2: No. 53b, Chorus "Gegrüsset seist du, Jüdenkönig!" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
103.
St. Matthew Passion, BWV 244, Pt. 2: No. 53c, Recitative "Und speieten ihn an und nahmen das Rohr" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
104.
St. Matthew Passion, BWV 244, Pt. 2: No. 54, Chorale "O Haupt, voll Blut und Wunden" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
105.
St. Matthew Passion, BWV 244, Pt. 2: No. 55, Recitative "Und da sie ihn verspottet hatten" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
106.
St. Matthew Passion, BWV 244, Pt. 2: No. 56, Recitative "Ja, freilich will in uns das Fleisch" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
107.
St. Matthew Passion, BWV 244, Pt. 2: No. 57, Aria "Komm, süsses Kreuz" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
108.
St. Matthew Passion, BWV 244, Pt. 2: No. 58a, Recitative "Und da sie an die Stätte" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
109.
St. Matthew Passion, BWV 244, Pt. 2: No. 58b, Chorus "Der du den Tempel Gottes zerbrichst" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
110.
St. Matthew Passion, BWV 244, Pt. 2: No. 58c, Recitative "Desgleichen auch die Hohenpriester" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
111.
St. Matthew Passion, BWV 244, Pt. 2: No. 58d, Chorus "Andern hat er geholfen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
112.
St. Matthew Passion, BWV 244, Pt. 2: No. 58e, Recitative "Desgleichen schmäheten ihn auch die Mörder" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
113.
St. Matthew Passion, BWV 244, Pt. 2: No. 59, Recitativo "Ach Golgatha, unselges Golgatha!" (Alto)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari
114.
St. Matthew Passion, BWV 244, Pt. 2: No. 60, Aria "Sehet, Jesus hat die Hand" (Alto, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari, Suddeutscher Madrigalchor
115.
St. Matthew Passion, BWV 244, Pt. 2: No. 61a, Recitative "Und von der sechsten Stunde" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
116.
St. Matthew Passion, BWV 244, Pt. 2: No. 61b, Chorus "Der rufet dem Elias!" (Chorus 1)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
117.
St. Matthew Passion, BWV 244, Pt. 2: No. 61c, Recitative "Und bald lief einer unter ihnen" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
118.
St. Matthew Passion, BWV 244, Pt. 2: No. 61d, Chorus "Halt! Lass sehen, ob Elias komme" (Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
119.
St. Matthew Passion, BWV 244, Pt. 2: No. 61e, Recitative "Aber Jesus schriee abermal laut" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
120.
St. Matthew Passion, BWV 244, Pt. 2: No. 62, Chorale "Wenn ich einmal soll scheiden" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
121.
St. Matthew Passion, BWV 244, Pt. 2: No. 63a, Recitative "Und siehe da, der Vorhang im Tempel" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
122.
St. Matthew Passion, BWV 244, Pt. 2: No. 63b, Chorus "Wahrlich, dieser ist Gottes Sohn gewesen" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
123.
St. Matthew Passion, BWV 244, Pt. 2: No. 63c, Recitative "Und es waren viel Weiber da" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
124.
St. Matthew Passion, BWV 244, Pt. 2: No. 64, Recitative "Am Abend, da es kühle war" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
125.
St. Matthew Passion, BWV 244, Pt. 2: No. 65, Aria "Mache dich, mein Herze, rein" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Hermann Prey
126.
St. Matthew Passion, BWV 244, Pt. 2: No. 66a, Recitative "Und Joseph nahm den Leib" (Evangelist, Pilatus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
127.
St. Matthew Passion, BWV 244, Pt. 2: No. 66b, Chorus "Herr, wir haben gedacht" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
128.
St. Matthew Passion, BWV 244, Pt. 2: No. 66c, Recitative "Pilatus sprach zu ihnen" (Evangelist, Pilatus)
Hans Sotin, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
129.
St. Matthew Passion, BWV 244, Pt. 2: No. 67, Recitative with Chorus "Nun ist der Herr zur Ruh gebracht" (Soprano, Alto, Tenor, Bass, Chorus 2)
Nicolai Gedda, Consortium Musicum, Wolfgang Gönnenwein, Julia Hamari, Suddeutscher Madrigalchor, Hermann Prey, Teresa Zylis-Gara
130.
St. Matthew Passion, BWV 244, Pt. 2: No. 68, Chorus "Wir setzen uns mit Tränen nieder" (Chorus 1, Chorus 2)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
131.
St. John Passion, BWV 245, First Part: Herr, unser Herrscher (Nr.1: Chor)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
132.
St. John Passion, BWV 245, Pt. 1: No. 2a, Recitative "Jesus ging mit seinen Jüngern" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
133.
St. John Passion, BWV 245, Pt. 1: No. 2a, Chorus "Jesum von Nazareth"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
134.
St. John Passion, BWV 245, Pt. 1: No. 2c, Recitative "Jesus spricht zu ihnen" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
135.
St. John Passion, BWV 245, Pt. 1: No. 2d, Chorus "Jesum von Nazareth"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
136.
St. John Passion, BWV 245, Pt. 1: No. 2e, Recitative "Jesus antwortete … Ich hab's euch gesagt" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
137.
St. John Passion, BWV 245, Pt. 1: No. 3, Chorale "O grosse Lieb" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
138.
St. John Passion, BWV 245, Pt. 1: No. 4, Rezitative "Auf dass das Wort erfüllet würde" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
139.
St. John Passion, BWV 245, Pt. 1: No. 5, Chorale "Dein Will gescheh, Herr Gott, zugleich" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
140.
St. John Passion, BWV 245, Pt. 1: No. 6, Recitative "Die Schar aber und der Oberhauptmann" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
141.
St. John Passion, BWV 245, Pt. 1: No. 7, Aria "Von den Stricken meiner Sünden" (Alto)
Michel Piguet, Brigitte Fassbaender, Consortium Musicum, Wolfgang Gönnenwein, Hans-Ludwig Hauck
142.
St. John Passion, BWV 245, Pt. 1: No. 8, Recitative "Simon Petrus aber folgete Jesus nach" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
143.
Johannes-Passion, BWV 245, Pt. 1: No. 9, Aria "Ich folge dir gleichfalls" (Soprano)
Elly Ameling
144.
St. John Passion, BWV 245, Pt. 1: No. 10, Recitative "Derselbige Jünger" (Evangelist, Maid, Peter, Jesus, Servant)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Susanne Dürr, Theo Altmeyer, Helmut Kühnle, Martin Hermann
145.
St. John Passion, BWV 245, Pt. 1: No. 11, Chorale "Wer hat dich so geschlagen" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
146.
St. John Passion, BWV 245, Pt. 1: No. 12a, Recitative "Und Hannas sandte ihn gebunden" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
147.
St. John Passion, BWV 245, Pt. 1: No. 12b, Chorus "Bist du nicht seiner Jünger einer?"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
148.
St. John Passion, BWV 245, Pt. 1: No. 12c, Recitative "Er leugnete aber und sprach" (Evangelist, Petrus, Servant)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer, Helmut Kühnle, Martin Hermann
149.
St. John Passion, BWV 245, Pt. 1: No. 13, Aria "Ach, mein Sinn" (Tenor)
Consortium Musicum, Wolfgang Gönnenwein, Kurt Equiluz
150.
St. John Passion, BWV 245, Pt. 1: No. 14, Chorale "Petrus, der nicht denkt zurück" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
151.
St. John Passion, BWV 245, Pt. 2: No. 15, Chorale "Christus, der uns selig macht" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
152.
St. John Passion, BWV 245, Pt. 2: No. 16a, Recitative "Da führeten sie Jesum" (Evangelist)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
153.
St. John Passion, BWV 245, Pt. 2: No. 16b, Chorus "Wäre dieser nicht ein Übeltäter"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
154.
St. John Passion, BWV 245, Pt. 2: No. 16c, Recitative "Da sprach Pilatus zu ihnen" (Evangelist, Pilatus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
155.
St. John Passion, BWV 245, Pt. 2: No. 16d, Chorus "Wir dürfen niemand töten"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
156.
St. John Passion, BWV 245, Pt. 2: No. 16e, Recitative "Auf dass erfüllet würde das Wort Jesu" (Evangelist, Pilatus, Jesus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
157.
St. John Passion, BWV 245, Pt. 2: No. 17, Chorale "Ach, grosser König" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
158.
St. John Passion, BWV 245, Pt. 2: No. 18a, Recitative "Da sprach Pilatus zu ihm" (Evangelist, Pilatus, Jesus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
159.
St. John Passion, BWV 245, Pt. 2: No. 18b, Chorus "Nicht diesen, sondern Barrabam!"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
160.
St. John Passion, BWV 245, Pt. 2: No. 18c, Recitative "Barrabas aber war ein Mörder" (Evangelist, Pilatus, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
161.
St. John Passion, BWV 245, Pt. 2: No. 19, Arioso "Betrachte, meine Seel" (Bass)
Consortium Musicum, Wolfgang Gönnenwein, Siegmund Nimsgern, Helga Thoene, Heinz Jopen
162.
St. John Passion, BWV 245, Pt. 2: No. 20, Aria "Erwäge, wie sein blutgefärbter Rücken" (Tenor)
Consortium Musicum, Wolfgang Gönnenwein, Kurt Equiluz, Helga Thoene, Heinz Jopen
163.
St. John Passion, BWV 245, Pt. 2: No. 21a, Recitative "Und die Kriegsknechte flochten" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
164.
St. John Passion, BWV 245, Pt. 2: No. 21b, Chorus "Sei gegrüsset"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
165.
St. John Passion, BWV 245, Pt. 2: No. 21c, Recitative "Und gaben ihm Backenstreiche" (Evangelist, Pilatus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
166.
St. John Passion, BWV 245, Pt. 2: No. 21d, Chorus "Kreuzige, kreuzige!"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
167.
St. John Passion, BWV 245, Pt. 2: No. 21e, Recitative "Pilatus sprach zu ihnen" (Evangelist, Pilatus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
168.
St. John Passion, BWV 245, Pt. 2: No. 21f, Chorus "Wir haben ein Gesetz"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
169.
St. John Passion, BWV 245, Pt. 2: No. 21g, Recitative "Da Pilatus das Wort hörete" (Evangelist, Pilatus, Jesus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
170.
St. John Passion, BWV 245, Pt. 2: No. 22, Chorale "Durch dein Gefängnis, Gottes Sohn" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
171.
St. John Passion, BWV 245, Pt. 2: No. 23a, Recitative "Die Juden aber schrieen" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
172.
St. John Passion, BWV 245, Pt. 2: No. 23b, Chorus "Lässest du diesen los"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
173.
St. John Passion, BWV 245, Pt. 2: No. 23c, Recitative "Da Pilatus das Wort hörete" (Evangelist, Pilatus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
174.
St. John Passion, BWV 245, Pt. 2: No. 23d, Chorus "Weg, weg mit dem"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
175.
St. John Passion, BWV 245, Pt. 2: No. 23e, Recitative "Spricht Pilatus zu ihnen" (Evangelist)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
176.
St. John Passion, BWV 245, Pt. 2: No. 23f, Chorus "Wir haben keinen König"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
177.
St. John Passion, BWV 245, Pt. 2: No. 23g, Recitative "Da überantwortete er ihn"
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
178.
St. John Passion, BWV 245, Pt. 2: No. 24, Aria "Eilt, ihr angefocht'nen Seelen … Wohin?" (Bass, Chor)
Consortium Musicum, Wolfgang Gönnenwein, Siegmund Nimsgern, Suddeutscher Madrigalchor
179.
St. John Passion, BWV 245, Pt. 2: No. 25a, Recitative "Allda kreuzigten sie ihn" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
180.
St. John Passion, BWV 245, Pt. 2: No. 25b, Chorus "Schreibe nicht, der Juden König"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
181.
St. John Passion, BWV 245, Pt. 2: No. 25c, Recitative "Pilatus antwortet" (Evangelist, Pilatus)
Kurt Moll, Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
182.
St. John Passion, BWV 245, Pt. 2: no. 26, Chorale "In meines Herzens Grunde" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
183.
St. John Passion, BWV 245, Pt. 2: No. 27a, Recitative "Die Kriegsknechte aber" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein
184.
St. John Passion, BWV 245, Pt. 2: No. 27b, Chorus "Lasset uns den nicht zerteilen"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
185.
St. John Passion, BWV 245, Pt. 2: No. 27c, Recitative "Auf dass erfüllet würde die Schrift" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
186.
St. John Passion, BWV 245, Pt. 2: No. 28, Chorale "Er nahm alles wohl in acht" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
187.
St. John Passion, BWV 245, Pt. 2: No. 29, Recitative "Und von Stund' an nahm" (Evangelist, Jesus)
Consortium Musicum, Wolfgang Gönnenwein, Franz Crass, Theo Altmeyer
188.
St. John Passion, BWV 245, Pt. 2: No. 30, Aria "Es ist vollbracht!" (Alto)
Brigitte Fassbaender, Consortium Musicum, Wolfgang Gönnenwein, Heinrich Haferland
189.
St. John Passion, BWV 245, Pt. 2: No. 31a, Recitative "Und neigte das Haupt" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
190.
St. John Passion, BWV 245, Pt. 2: No. 32, Aria, "Mein teurer Heiland … Jesu, der du warest tot" (Bass, Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Siegmund Nimsgern, Suddeutscher Madrigalchor
191.
St. John Passion, BWV 245, Pt. 2: No. 33, Recitative "Und siehe da, der Vorhang" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
192.
St. John Passion, BWV 245, Pt. 2: No. 34, Arioso "Mein Herz, in dem die ganze Welt" (Tenor)
Consortium Musicum, Wolfgang Gönnenwein, Kurt Equiluz
193.
Johannes-Passion, BWV 245, Pt. 2: No. 35, Aria "Zerfliesse, mein Herze" (Soprano)
Elly Ameling
194.
St. John Passion, BWV 245, Pt. 2: No. 36, Recitative "Die Jüden aber, dieweil es der Rüsttag war" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
195.
St. John Passion, BWV 245, Pt. 2: No. 37, Chorale "O hilf, Christe, Gottes Sohn" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
196.
St. John Passion, BWV 245, Pt. 2: No. 38, Recitative "Darnach bat Pilatum" (Evangelist)
Consortium Musicum, Wolfgang Gönnenwein, Theo Altmeyer
197.
St. John Passion, BWV 245, Pt. 2: No. 39, Chorus "Ruht wohl, ihr heiligen Gebeine"
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
198.
St. John Passion, BWV 245, Pt. 2: No. 40, Chorale "Ach Herr, lass dein lieb' Engelein" (Chorus)
Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor
199.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 1 Chorus "Jauchzet, frohlocket, auf, preiset die Tage"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
200.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 2 Recitative "Es begab sich aber zu der Zeit" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
201.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 3 Recitative "Nun wird mein liebster Bräutigam" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
202.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 4 Aria "Bereite dich, Zion, mit zärtlichen Trieben" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
203.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 5 Chorale "Wie soll ich dich empfangen" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
204.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 6 Recitative "Und sie gebar ihren ersten Sohn" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
205.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 7 Chorale and Recitative "Er ist auf Erden … Wer will die Liebe" (Chorus, Bass)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Sir Philip Ledger
206.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 8 Aria "Grosser Herr und starker König" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
207.
Christmas Oratorio, BWV 248, Pt. 1: Cantata for the First Day of Christmas, No. 9 Chorale "Ach mein herzliebes Jesulein!" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
208.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 1 Sinfonia
Academy of St. Martin in the Fields, Sir Philip Ledger
209.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 2 Recitative "Und es waren Hirten in derselben Gegend" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
210.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 3 Chorale "Brich an, o schönes Morgenlicht" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
211.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 4 Recitative "Und der Engel sprach zu ihnen Fürchtet euch nicht" (Evangelist, Angel)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger, Timothy Byram-Wigfield
212.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 5 Recitative "Was Gott dem Abraham verheissen" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
213.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 6 Aria "Frohe Hirten, eilt, ach eilet" (Tenor)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
214.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 7 Recitative "Und das habt zum Zeichen" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
215.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 8 Chorale "Schaut hin! dort liegt im finstern Stall" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
216.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 9 Recitative "So geht denn hin!" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
217.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 10 Aria "Schlafe, mein Liebster" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
218.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 11 Recitative "Und alsobald war da bei dem Engel" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
219.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 12 Chorus "Ehre sei Gott in der Höhe"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
220.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 13 Recitative "So recht, ihr Engel" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
221.
Christmas Oratorio, BWV 248, Pt. 2: Cantata for the Second Day of Christmas, No. 14 Chorale "Wir singen dir in deinem Heer" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
222.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 1 Chorus "Herrscher des Himmels, erhöre das Lallen"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
223.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 2 Recitative "Und da die Engel von ihnen gen Himmel fuhren" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
224.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 3 Chorus "Lasset uns nun gehen gen Bethlehem"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
225.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 4 Recitative "Er hat sein Volk getröst't" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
226.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 5 Chorale "Dies hat er alles uns getan" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
227.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 6 Duet "Herr, dein Mitleid" (Soprano, Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Elly Ameling, Sir Philip Ledger
228.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 7 Recitative "Und sie kamen eilend" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
229.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 8 Aria "Schliesse, mein Herze" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
230.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 9 Recitative "Ja, ja! mein Herz soll es bewahren" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
231.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 10 Chorale "Ich will dich mit Fleiss bewahren" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
232.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 11 Recitative "Und die Hirten kehrten wieder um" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
233.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 12 Chorale "Seid froh, dieweil" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
234.
Christmas Oratorio, BWV 248, Pt. 3: Cantata for the Third Day of Christmas, No. 13 Chorus da capo "Herrscher des Himmels"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
235.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 1 Chorus "Fallt mit Danken, fallt mit Loben"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
236.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 2 Recitative "Und da acht Tage um waren" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
237.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 3 Recitative and Arioso "Immanuel, o süsses Wort … Jesu, du mein liebstes Leben" (Bass, Soprano)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Elly Ameling, Sir Philip Ledger
238.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 4 Aria "Flösst, mein Heiland" (Soprano, 'Echo' Soprano)
Academy of St. Martin in the Fields, Elly Ameling, Sir Philip Ledger, Jason James
239.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 5 Recitative and Arioso "Wohlan! dein Name soll allein … Jesu, meine Freude" (Bass, Soprano)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Elly Ameling, Sir Philip Ledger
240.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 6 Aria "Ich will nur dir zu Ehren leben" (Tenor)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
241.
Christmas Oratorio, BWV 248, Pt. 4: Cantata for New Year's Day, No. 7 Chorale "Jesus richte mein Beginnen" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
242.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 1 Chorus "Ehre sei dir, Gott, gesungen"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
243.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 2 Recitative "Da Jesus geboren war zu Bethlehem" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
244.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 3 Chorus and Recitative "Wo ist der neugeborne König … Sucht ihn in meiner Brust" (Chorus, Alto)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger, Dame Janet Baker
245.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 4 Chorale "Dein Glanz all' Finsternis verzehrt" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
246.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 5 Aria "Erleucht' auch meine finstre Sinnen" (Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Sir Philip Ledger
247.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 6 Recitative "Da das der König Herodes hörte" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
248.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 7 Recitative "Warum wollt ihr erschrecken" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
249.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 8 Recitative "Und liess versammeln alle Hohenpriester" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
250.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 9 Terzetto "Ach! wann wird die Zeit erscheinen?" (Soprano, Alto, Tenor)
Academy of St. Martin in the Fields, Elly Ameling, Robert Tear, Sir Philip Ledger, Dame Janet Baker
251.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 10 Recitative "Mein Liebster herrschet schon" (Alto)
Academy of St. Martin in the Fields, Sir Philip Ledger, Dame Janet Baker
252.
Christmas Oratorio, BWV 248, Pt. 5: Cantata for the First Sunday in the New Year, No. 11 Chorale "Zwar ist solche Herzensstube" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
253.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 1 Chorus "Herr, wenn die stolzen Feinde schnauben"
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
254.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 2 Recitative "Da berief Herodes … Ziehet hin" (Evangelist, Herod)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Robert Tear, Sir Philip Ledger
255.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 3 Recitative "Du Falscher, suche nur den Herrn" (Soprano)
Academy of St. Martin in the Fields, Elly Ameling, Sir Philip Ledger
256.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 4 Aria "Nur ein Wink von seinen Händen" (Soprano)
Elly Ameling
257.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 5 Recitative "Als sie nun den König gehöret hatten" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
258.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 6 Chorale "Ich steh an deiner Krippen hier" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
259.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 7 Recitative "Und Gott befahl ihnen im Traum'" (Evangelist)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
260.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 8 Recitative "So geht! Genug, mein Schatz geht nicht" (Tenor)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
261.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 9 Aria "Nun mögt ihr stolzen Feinde" (Tenor)
Academy of St. Martin in the Fields, Robert Tear, Sir Philip Ledger
262.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 10 Recitative "Was will der Höllen Schrecken nun" (Soprano, Alto, Tenor, Bass)
Academy of St. Martin in the Fields, Dietrich Fischer-Dieskau, Elly Ameling, Robert Tear, Sir Philip Ledger, Dame Janet Baker
263.
Christmas Oratorio, BWV 248, Pt. 6: Cantata for the Feast of Epiphany, No. 11 Chorale "Nun seid ihr wohl gerochen" (Chorus)
Academy of St. Martin in the Fields, Choir of King's College, Cambridge, Sir Philip Ledger
264.
Easter Oratorio, BWV 249: No. 1, Sinfonia - Adagio
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester
265.
Easter Oratorio, BWV 249: No. 3, Duet with Chorus "Kommt, eilet und laufet" (Tenor, Bass, Chorus)
Dietrich Fischer-Dieskau, Wolfgang Gönnenwein, Theo Altmeyer, Süddeutscher Madrigalchor, Südwestdeutsches Kammerorchester
266.
Easter Oratorio, BWV 249: No. 4, Recitative "O kalter Männer Sinn!" (Soprano, Alto, Tenor, Bass)
Dietrich Fischer-Dieskau, Theo Altmeyer, Teresa Zylis-Gara, Süddeutscher Madrigalchor, Wolfgang Gönnenwein, Südwestdeutsches Kammerorchester, Patricia Johnson
267.
Easter Oratorio, BWV 249: No. 5, Aria "Seele, deine Spezereien" (Soprano)
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Patricia Johnson
268.
Easter Oratorio, BWV 249: No. 6, Recitative " Hier ist die Gruft", (Alto, Tenor, Bass)
Dietrich Fischer-Dieskau, Theo Altmeyer, Wolfgang Gönnenwein, Südwestdeutsches Kammerorchester
269.
Easter Oratorio, BWV 249: No. 6, Recitative " Hier ist die Gruft", (Alto, Tenor, Bass)
Dietrich Fischer-Dieskau, Theo Altmeyer, Wolfgang Gönnenwein, Südwestdeutsches Kammerorchester
270.
Easter Oratorio, BWV 249: No. 7, Aria "Sanfte soll mein Todeskummer" (Tenor)
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Theo Altmeyer
271.
Easter Oratorio, BWV 249: No. 8, Recitative "Indessen seufzen wir" (Soprano, Alto)
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Teresa Zylis-Gara/Patricia Johnson
272.
Easter Oratorio, BWV 249: No. 9, Aria "Saget, saget mir geschwinde" (Alto)
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Patricia Johnson/Süddeutscher Madrigalchor
273.
Easter Oratorio, BWV 249: No. 10, Recitative "Wir sind erfreut" (Bass)
Dietrich Fischer-Dieskau, Wolfgang Gönnenwein, Südwestdeutsches Kammerorchester
274.
Easter Oratorio, BWV 249: No. 11, Chorus "Preis und Dank"
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Süddeutscher Madrigalchor
275.
Easter Oratorio, BWV 249: No. 12, Chorale "Es hat mit uns nun keine Not" (Chorus)
Wolfgang Gönnenwein/Südwestdeutsches Kammerorchester/Süddeutscher Madrigalchor
276.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 1, Chorus "Lobet Gott in seinen Reichen"
Choir of King's College, Cambridge, English Chamber Orchestra, Sir Philip Ledger
277.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 2, Recitative "Der Herr Jesus hub seine Hände auf" (Evangelist)
English Chamber Orchestra, Sir Philip Ledger, Martyn Hill
278.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 3, Recitative "Ach, Jesu, ist dein Abschied schon so nah?" (Bass)
English Chamber Orchestra, Stephen Roberts, Sir Philip Ledger
279.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 4, Aria "Ach, bleibe doch, mein liebstes Leben" (Alto)
English Chamber Orchestra, Alfreda Hodgson, Sir Philip Ledger
280.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 5, Recitative "Und ward aufgehoben zusehends" (Evangelist)
English Chamber Orchestra, Alfreda Hodgson, Sir Philip Ledger
281.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 6, Chorale "Nun lieget alles unter dir" (Chorus)
Choir of King's College, Cambridge, English Chamber Orchestra, Sir Philip Ledger
282.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 7, Recitative "Und da sie ihm nachsahen gen Himmel fahren" (Evangelist, Bass)
English Chamber Orchestra, Sir Philip Ledger, Martyn Hill
283.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 8, Recitative "Ach ja! so komme bald zurück" (Soprano)
English Chamber Orchestra, Alfreda Hodgson, Sir Philip Ledger
284.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 9, Recitative "Sie aber beteten ihn an" (Evangelist)
English Chamber Orchestra, Sir Philip Ledger, Martyn Hill
285.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 10, Aria "Jesu, deine Gnadenblicke" (Soprano)
English Chamber Orchestra, Margaret Marshall, Sir Philip Ledger
286.
Cantata "Lobet Gott in seinen Reichen", BWV 11: No. 11, Chorale "Wenn soll es doch geschehen" (Chorus)
Choir of King's College, Cambridge, English Chamber Orchestra, Sir Philip Ledger
287.
Magnificat in D Major, BWV 243: No. 1 "Magnificat anima mea Dominum" (Chorus)
Royal Philharmonic Orchestra, Daniel Barenboim, New Philharmonia Chorus
288.
Magnificat in D Major, BWV 243: No. 2, Aria "Et exultavit spiritus meus" (Second Soprano)
Royal Philharmonic Orchestra, Daniel Barenboim, Anne Pashley
289.
Magnificat in D Major, BWV 243: No. 3, Aria "Quia respexit humilitatem" (First Soprano)
Royal Philharmonic Orchestra, Daniel Barenboim, Lucia Popp
290.
Magnificat in D Major, BWV 243: No. 4 "Omnes generationes" (Chorus)
Royal Philharmonic Orchestra, Daniel Barenboim, New Philharmonia Chorus
291.
Magnificat in D Major, BWV 243: No. 5, Aria "Quia fecit mihi magna" (Bass)
Royal Philharmonic Orchestra, Daniel Barenboim, Thomas Hemsley
292.
Magnificat in D Major, BWV 243: No. 6, Duet "'Et misericordia eius" (Alto, Tenor)
Royal Philharmonic Orchestra, Daniel Barenboim, Robert Tear, Dame Janet Baker
293.
Magnificat in D Major, BWV 243: No. 7 "Fecit potentiam" (Chorus)
Royal Philharmonic Orchestra, Daniel Barenboim, New Philharmonia Chorus
294.
Magnificat in D Major, BWV 243: No. 8 "Deposuit potentes" (Tenor)
Royal Philharmonic Orchestra, Daniel Barenboim, Robert Tear
295.
Magnificat in D Major, BWV 243: No. 9 "Esurientes" (Alto)
Royal Philharmonic Orchestra, Daniel Barenboim, Dame Janet Baker
296.
Magnificat in D Major, BWV 243: No. 10 "Suscepit Israel" (Sopranos, Alto)
Royal Philharmonic Orchestra, Daniel Barenboim, Lucia Popp, Anne Pashley, Dame Janet Baker
297.
Magnificat in D Major, BWV 243: No. 11 "Sicut Iocutus est" (Chorus)
Royal Philharmonic Orchestra, Daniel Barenboim, New Philharmonia Chorus
298.
Magnificat in D Major, BWV 243: No. 12 "Gloria Patri" (Chorus)
Royal Philharmonic Orchestra, Daniel Barenboim, New Philharmonia Chorus
299.
Cantata "Herz und Mund und Tat und Leben", BWV 147: No. 1, Chorus "Herz und Mund und Tat und Leben"
Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra
300.
Cantata "Herz und Mund und Tat und Leben", BWV 147: No. 2, Recitativo "Gebenedeiter Mund!" (Tenor)
Wilfred Brown, Geraint Jones, Geraint Jones Orchestra
301.
Cantata "Herz und Mund und Tat und Leben", BWV 147: No. 3, Aria "Schäme dich, o Seele nicht" (Alto)
Helen Watts, Geraint Jones, Geraint Jones Orchestra, Edward Selwyn

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307

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compilation

04/04/2011

Mass in B Minor, BWV 232: I. Kyrie, (a) Kyrie eleison (Chorus)

Mass in B Minor, BWV 232: I. Kyrie, (b) Duet "Christe eleison" (Soprano 1, Soprano 2)

Mass in B Minor, BWV 232: I. Kyrie, (c) Kyrie eleison (Chorus)

Mass in B Minor, BWV 232: II. Gloria, (a) Gloria in excelsis Deo (Chorus)

Mass in B Minor, BWV 232: II. Gloria, (b) Et in terra pax (Chorus)

Mass in B Minor, BWV 232: II. Gloria, (c) Aria "Laudamus te" (Soprano 2)

Mass in B Minor, BWV 232: II. Gloria, (d) Gratias agimus tibi (Chorus)

Mass in B Minor, BWV 232: II. Gloria, (e) Duet "Domine Deus" (Soprano 1, Tenor)

Mass in B Minor, BWV 232: II. Gloria, (f) Qui tollis peccata mundi (Chorus)

Mass in B Minor, BWV 232: II. Gloria, (g) Aria "Qui sedes ad dexteram Patris" (Alto)

Mass in B Minor, BWV 232: II. Gloria, (h) Aria "Quoniam tu solus sanctus" (Bass)

Mass in B Minor, BWV 232: II. Gloria, (i) Cum sancto Spiritu (Chorus)

Mass in B Minor, BWV 232: III. Credo, (a) Credo in unum Deum (Chorus)

Mass in B Minor, BWV 232: III. Credo, (b) Patrem omnipotentem (Chorus)

Mass in B Minor, BWV 232: III. Credo, (c) Duet "Et in unum Dominum" (Soprano 1, Alto)

Mass in B Minor, BWV 232: III. Credo, (d) Et incarnatus est (Chorus)

Mass in B Minor, BWV 232: III. Credo, (e) Crucifixus (Chorus)

Mass in B Minor, BWV 232: III. Credo, (f) Et resurrexit (Chorus)

Mass in B Minor, BWV 232: III. Credo, (g) Aria "Et in Spiritum Sanctum" (Bass)

Mass in B Minor, BWV 232: III. Credo, (h) Confiteor (Chorus)

Mass in B Minor, BWV 232: III. Credo, (i) Et expecto resurrectionem mortuorum (Chorus)

Mass in B Minor, BWV 232: IV. Sanctus, (a) Sanctus [Chorus]

Mass in B Minor, BWV 232: IV. Sanctus, (b) Osanna in excelsis (Chorus)

Mass in B Minor, BWV 232: IV. Sanctus, (c) Aria "Benedictus" (Tenor)

Mass in B Minor, BWV 232: IV. Sanctus, (d) Osanna in excelsis (Chorus, da capo)

Mass in B Minor, BWV 232: V. Agnus Dei, (a) Aria "Agnus Dei" (Alto)

Mass in B Minor, BWV 232: V. Agnus Dei, (b) Dona nobis pacem (Chorus)

St. Matthew Passion, BWV 244, Pt. 1: No. 1, Chorus "Kommt, ihr Töchter, helft mir klagen" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 2, Recitative "Da Jesus diese Rede vollendet hatte" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 3, Choral "Herzliebster Jesu, was hast du verbrochen" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 4a, Recitative "Da versammleten sich die Hohenpriester" (Evangelist)

St. Matthew Passion, BWV 244, Pt. 1: No. 4b, Chorus "Ja nicht auf das Fest" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 4c, Recitative "Da nun Jesus war zu Bethanien" (Evangelist)

St. Matthew Passion, BWV 244, Pt. 1: No. 4d, Chorus "Wozu dienet dieser Unrat?" (Chorus 1)

St. Matthew Passion, BWV 244, Pt. 1: No. 4e, Recitative "Da das Jesus merkete" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 5, Recitative "Du lieber Heiland" (Alto)

St. Matthew Passion, BWV 244, Pt. 1: No. 6, Aria "Buss und Reu" (Alto)

St. Matthew Passion, BWV 244, Pt. 1: No. 7, Recitative "Da ging hin der Zwölfen" (Evangelist, Judas)

St. Matthew Passion, BWV 244, Pt. 1: No. 8, Aria "Blute nur, du liebes Herz!" (Soprano)

St. Matthew Passion, BWV 244, Pt. 1: No. 9a, Recitative "Aber am ersten Tage der süssen Brot" (Evangelist)

St. Matthew Passion, BWV 244, Pt. 1: No. 9b, Chorus "Wo willst du, dass wir dir bereiten" (Chorus 1)

St. Matthew Passion, BWV 244, Pt. 1: No. 9c, Recitative "Er sprach … Gehet hin in die Stadt" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 9d, Recitative "Und sie wurden sehr betrübt" (Evangelist)

St. Matthew Passion, BWV 244, Pt. 1: No. 9e, Chorus "Herr, bin ich's?" (Chorus 1)

St. Matthew Passion, BWV 244, Pt. 1: No. 10, Chorale "Ich bin's, ich sollte büssen" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 11, Recitative "Er antwortete und sprach" (Evangelist, Jesus, Judas)

St. Matthew Passion, BWV 244, Pt. 1: No. 12, Recitative "Wiewohl mein Herz in Tränen schwimmt" (Soprano)

St. Matthew Passion, BWV 244, Pt. 1: No. 13, Aria "Ich will dir mein Herze schenken" (Soprano)

St. Matthew Passion, BWV 244, Pt. 1: No. 14, Recitative "Und da sie den Lobgesang" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 15, Chorale "Erkenne mich, mein Hüter" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 16, Recitative "Petrus aber antwortete und sprach zu ihm" (Evangelist, Petrus, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 17, Chorale "Ich will hier bei dir stehen" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 18, Recitative "Da kam Jesus mit ihnen zu einem Hofe" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 19, Recitative & Chorale"O Schmerz! Hier zittert … Was ist die Ursach aller solcher Plagen?" (Tenor, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 20, Aria "Ich will bei meinem Jesu wachen … So schlafen unsre Sünden ein" (Tenor, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 21, Recitative "Und ging hin ein wenig" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 22, Recitative "Der Heiland fällt vor seinem Vater nieder" (Bass)

St. Matthew Passion, BWV 244, Pt. 1: No. 23, Aria "Gerne will ich mich bequemen" (Bass)

St. Matthew Passion, BWV 244, Pt. 1: No. 24, Recitative "Und er kam zu seinen Jüngern" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 25, Chorale "Was mein Gott will, das gscheh allzeit" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 26, Recitative "Und er kam und fand sie aber schlafend" (Evangelist, Jesus, Judas)

St. Matthew Passion, BWV 244, Pt. 1: No. 27a, Duet "So ist mein Jesus nun gefangen" (Soprano, Alto, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 27b, Chorus "Sind Blitze, sind Donner in Wolken" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 1: No. 28, Recitative "Und siehe, einer aus denen" (Evangelist, Jesus)

St. Matthew Passion, BWV 244, Pt. 1: No. 29, Chorale "O Mensch, bewein dein Sünde gross" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 2: No. 30, Aria "Ach, nun ist mein Jesus hin! … Wo ist denn dein Freund" (Alto, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 2: No. 31, Recitative "Die aber Jesum gegriffen hatten" (Evangelist)

St. Matthew Passion, BWV 244, Pt. 2: No. 32, Chorale "Mir hat die Welt trüglich gericht't" (Chorus 1, Chorus 2)

St. Matthew Passion, BWV 244, Pt. 2: No. 33, Recitative "Und wiewohl viel falsche Zeugen herzutraten, funden sie doch keins" (Evangelist, Witnesses, High Priest)

St. Matthew Passion, BWV 244, Pt. 2: No. 34, Recitative "Mein Jesus schweigt zu falschen Lügen" (Tenor)

St. Matthew Passion, BWV 244, Pt. 2: No. 35, Aria "Geduld, Geduld!" (Tenor)